Faculty

CU ��Ĵ�ý saxophone professor makes Suntory Hall debut during Asia tour

Mariefaith Lane — Mon, 08 Jun 2026 21:04:50 +0000

CU ��Ĵ�ý saxophone professor makes Suntory Hall debut during Asia tour Mariefaith Lane Mon, 06/08/2026 - 15:04

College of Music

In May and June, ��Ĵ�ý Assistant Professor of Saxophone Nathan Mertens represented our College of Music through a series of performances, master classes and artistic collaborations in Japan and China.

The centerpiece of the tour was “American Voices with Japanese Friends,” a concert presented by Kajimoto, one of Japan’s leading artist management companies, at Tokyo’s renowned Suntory Hall (Blue Rose). Featuring a collaborative ensemble of American and Japanese artists, the event marked the first time a recital presented by American saxophonists had been featured at Suntory Hall. Mertens performed alongside American saxophone colleagues Stephen Page (University of Texas at Austin), Shawna Pennock (University of Nevada, Las Vegas) and Sarah Hetrick (University of Arkansas) as well as Japanese artists Masato Kumoi, Marie Kikuchi, Misuzu Kobayashi, Rui Ozawa, AKI Matsumoto and internationally acclaimed saxophonist Kenta Saito who was a guest artist at CU ��Ĵ�ý in 2024.

“For me, this concert was deeply personal,” says Mertens. “It was my first return to Japan since moving back to the United States seven years ago. Sharing the stage with mentors, colleagues and friends who shaped my artistic life while introducing them to my American collaborators was incredibly meaningful.” The concert also highlighted Mertens’ ongoing advocacy for Japanese saxophone music including works by Japanese composer Nobuhito Sato that will appear on Mertens’ forthcoming debut album.

While in Tokyo, Mertens returned to Kunitachi College of Music—where he previously studied through the Japanese government’s MEXT Research Student Program—to give a master class for undergraduate saxophone students.

Following the activities in Japan, Mertens traveled to China for a weeklong solo teaching tour. He gave lessons and master classes at the Shanghai Conservatory of Music, the China Conservatory of Music and the Hangzhou Conservatory of Music.

“This trip reinforced my belief that music is ultimately about people,” says Mertens. “The friendships and collaborations I developed during my years in Japan continue to shape my life and work today. Years may pass, countries may separate us and languages may differ, but the relationships formed through music have a remarkable way of enduring. In a world that can often feel increasingly disconnected, I am grateful for the opportunity to strengthen old friendships and begin new ones through a shared love of music.”

Support for the Japan portion of the tour was provided in part through a CHA Small Grant from the ��Ĵ�ý.

Learn more about our saxophone studio

In May and June, CU ��Ĵ�ý Assistant Professor of Saxophone Nathan Mertens represented our College of Music through a series of performances, master classes and artistic collaborations in Japan and China. The centerpiece of the tour was “American Voices with Japanese Friends” at Tokyo’s renowned Suntory Hall. “This trip reinforced my belief that music is ultimately about people,” says Mertens.

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2026 Wind Band Conducting Symposium welcomes the return of founder Allan McMurray

Mariefaith Lane — Tue, 02 Jun 2026 19:55:54 +0000

2026 Wind Band Conducting Symposium welcomes the return of founder Allan McMurray Mariefaith Lane Tue, 06/02/2026 - 13:55

Kathryn Bistodeau

Distinguished Professor of Conducting Emeritus Allan McMurray returns as guest clinician this week.

Forty years ago, then-Director of Bands Allan McMurray saw a need for a space where conductors could grow. In response, he founded the CU ��Ĵ�ý Wind Band Conducting Symposium. This summer, the distinguished professor of conducting emeritus returns as guest clinician.

Twenty-one professional-level participants from 10 states will participate in the symposium, June 7-12. Professor of Conducting and Director of Bands Shanti Simon says the symposium is a rare opportunity for conductors to connect with their peers.

“These weeks are always so uplifting because they’re a chance for conductors to be with other conductors,” she says. “A lot of times as a band conductor, it’s a little bit lonely. In a high school band program, there might only be one band conductor. Then when they come here for this week in ��Ĵ�ý, they’re surrounded by maybe 30 other conductors who can all share stories and best practices, and just learn from one another.”

While Simon previously participated in the symposium as a guest clinician, this year is her first as the college’s current director of bands. “It was really important to me to have Allan back in my first year here because he started this symposium when he was here,” says.

“This particular conducting symposium has a history that is really important in our world. Now when you look around our country, there are a lot of conducting symposia for wind band; but when Allan started this program, there were none. So there was a real vision behind creating this conducting symposium at CU ��Ĵ�ý.”

McMurray—who retired from the College of Music in 2013 and was inducted into the Colorado Music Educators Association Hall of Fame in 2024—says the initial idea came from wanting to provide inspiration and guidance to conductors. “What I learned over the years is that we’re building connections and building relationships,” he says. “And the relationships that you are trying to build are between the conductor and the score, the conductor and the ensemble, and then the ability of the conductor to unite the score with the ensemble.”

McMurray is most excited about the people: He’s looking forward to seeing former colleagues and connecting with new attendees. Some of his fondest memories are watching someone have a breakthrough in their art, and he’s hoping for more of those moments this summer.

“There are connections where you know that it’s made a difference to somebody—you can see that and the ensemble sees it,” he says. “There are breakthrough moments, like we all have—but in a conducting symposium, you’re having that breakthrough moment in front of a whole bunch of people. So everybody’s celebrating your growth.”

Simon is also excited to have more participation from Colorado band directors. “Historically, we’ve not had a lot of participation among Colorado band directors. But this year we found ways to encourage more people to join us. We really feel like we’re part of a larger music education community in Colorado and we want to be invested in that community.”

Twenty-one professional-level participants from 10 states will participate in the CU ��Ĵ�ý Wind Band Conducting Symposium, June 7-12. Professor of Conducting + Director of Bands Shanti Simon and Distinguished Professor of Conducting Emeritus Allan McMurray share what makes the symposium unique.

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College of Music welcomes vocal coach + musical director Jordan Ortman

Mariefaith Lane — Fri, 15 May 2026 13:20:39 +0000

College of Music welcomes vocal coach + musical director Jordan Ortman Mariefaith Lane Fri, 05/15/2026 - 07:20

Sabine Kortals

The CU ��Ĵ�ý College of Music is pleased to welcome Jordan Ortman—Associate Teaching Professor of Vocal Coaching and Musical Director in Music Theatre—effective this fall.

Ortman is a former faculty member at Metropolitan State University where he coached and music directed the opera and musical theatre programs, co-led the BFA-MT performance program and taught theory and piano classes. During his tenure at MSU Denver, he coached staged operas and opera scenes programs, and served as music director and conductor for musicals. He continues to teach applied piano at the Colorado School of Mines.

In addition to teaching, he enjoys working with many Denver arts organizations including the Denver Center for the Performing Arts (Broadway Tours, Theatre Company and Theatre for Young Audiences), Opera Colorado, the Arvada Center and ��Ĵ�ý Opera Company. He is the former Opera Colorado Young Artist pianist and coach (“Cenerentola,” “L’elisir d’amore,” “La bohème,” “Falstaff”). Recent credits include “Once Upon a Mattress,” “Cinderella,” “Beauty and the Beast” (Arvada Center), “Manon,” “Cavalleria Rusticana,” “Signor Deluso” (��Ĵ�ý Opera), “The Pirates of Penzance,” “A Grand Night for Singing,” “1776” (Performance Now), “Wicked,” “White Christmas” (DCPA Broadway tours), “Don’t Let the Pigeon Drive the Bus,” “Goodnight, Moon” and Elephant and Piggie’s “We Are in a Play” (DCPA Theatre for Young Audiences). For many summers, he has been a music director and pianist at Quisisana Music Resort in Center Lovell, Maine.

Ortman believes that versatility is an asset in the performing arts industry. As such, his interests and opportunities range from chamber music and duo piano recitals to opera and musical theatre music direction—as well as arranging and composing.

“The lines that once divided various genres and pathways within music have blurred and I believe that future careers in music belong to curious, collaborative and determined students,” he says. “Interest and expertise in many facets of music making should be encouraged and the entrepreneurial spirit celebrated.

“I look forward to guiding the talented students at CU ��Ĵ�ý and preparing them to be comprehensive, universal musicians—and, indeed, well-balanced people.”

Ortman earned a Master of Music in collaborative piano from the University of Northern Colorado where he studied with Willem van Schalkwyk and Vergie Amendola; and a Bachelor of Arts in music performance (piano) from Bethel College in North Newton, Kansas.

Welcome, Jordan Ortman!

The College of Music is pleased to announce the hiring of Associate Teaching Professor of Vocal Coaching + Musical Director in Music Theatre Jordan Ortman beginning fall 2026. Welcome!

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College of Music announces new Assistant Director of Bands Andrew Keiser

Mariefaith Lane — Thu, 14 May 2026 16:09:20 +0000

College of Music announces new Assistant Director of Bands Andrew Keiser Mariefaith Lane Thu, 05/14/2026 - 10:09

Sabine Kortals

The CU ��Ĵ�ý College of Music is pleased to welcome Andrew Keiser—Assistant Teaching Professor of Music Education + Conducting and Assistant Director of Bands—effective this fall.

“I’m thrilled to join the College of Music, a nationally respected institution that values innovation and collaboration alongside excellence and performance,” says Keiser. “The college’s commitment to developing versatile, forward-thinking universal musicians aligns with my own philosophy, as I always strive to develop students into well-rounded musicians who are prepared to make an impact in the world going forward.”

Keiser completed a Doctor of Musical Arts at the University of Miami’s Frost School of Music where he studied conducting with Robert Carnochan and Michael Hancock. At Miami, Keiser contributed to all facets of the band program while teaching undergraduate courses in conducting and arranging. In addition to conducting university ensembles and coordinating the annual Frost Honor Band Festival, he wrote music and drill for the Frost Band of the Hour and regularly directed the basketball pep band. He has also spent the last year as Director of Athletic Bands at Keiser University’s Flagship Campus in West Palm Beach, Florida.

Prior to his doctoral studies, Keiser earned a master’s degree in wind conducting from the Schwob School of Music in Columbus, Georgia, where he studied with Jamie L. Nix and directed the CSU Basketball Band. He previously taught at Angola High School in Indiana where he led all aspects of the band program, a consistent recipient of the ISSMA All-Music Award.

“I’m so excited to work alongside Director of Bands Shanti Simon and Associate Director of Bands Logan Sorey to further the great work they are doing,” he shares. “I’m eager to continue building upon the legacy of the band program at CU ��Ĵ�ý.

“Working with the CU ��Ĵ�ý Concert Band and athletic bands will allow me to interact with many students in the program, and I’m already inspired for the future from my previous interactions with the students, staff and directors.”

He adds, “I am eager to work with students from across the university in our athletic bands to develop their potential as performers and artists who play an integral role in the culture of the university. Our athletic bands often function as ambassadors of the College of Music and CU ��Ĵ�ý at events, and I can’t wait to get started with the Golden Buffalo Marching Band this fall.”

An advocate for new music, Keiser has commissioned, premiered and collaborated with living composers. His work as a Conducting Fellow with the Newfound Chamber Winds has led to collaborations and performances of new works by David Biedenbender, Viet Cuong and Viskamol Chaiwanichsiri. Keiser’s 2025 transcription of Maria Schneider’s “Winter Morning Walks” for soprano and chamber wind ensemble is performed by collegiate ensembles nationwide.

“I am delighted to join the college’s music education department as I’m passionate about the future of music education,” he notes. “I look forward to working with our music education students through hands-on experiences that prepare them for the rapidly evolving field of 21st-century education.”

Welcome, Andrew Keiser!

The College of Music is pleased to announce the hiring of Assistant Teaching Professor of Music Education + Conducting and Assistant Director of Bands Andrew Keiser beginning fall 2026. Welcome!

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Drum roll … new Head of Percussion Andrew Lynge joins College of Music faculty

Mariefaith Lane — Tue, 28 Apr 2026 20:02:16 +0000

Drum roll … new Head of Percussion Andrew Lynge joins College of Music faculty Mariefaith Lane Tue, 04/28/2026 - 14:02

Sabine Kortals

The CU ��Ĵ�ý College of Music is pleased to announce the hiring of Assistant Professor of Percussion and Head of Percussion Andrew Lynge beginning fall 2026.

“I am absolutely thrilled to join the faculty at CU ��Ĵ�ý,” says Lynge. “The location, facilities and resources are among the finest I have seen in the country, and I’m honored to collaborate with such an outstanding team of percussion artists and educators.

“Mike Tetreault and Carl Dixon have built an exceptional culture within the CU ��Ĵ�ý percussion studio—one that is clearly recognized at the national level—and I’m excited to build upon that strong foundation.”

Lynge previously served as Associate Professor of Percussion and Percussion Area Coordinator at The University of Alabama from 2019 to 2026, during which time the UA Percussion Studio achieved significant national and international success. He led the internationally acclaimed UA Percussion Ensemble, winners of the 2020 and 2024 PAS International Percussion Ensemble Competitions, the highest honor awarded to a university percussion ensemble. In 2025, he was named a Leadership Board Faculty Fellow and a Distinguished Teaching Fellow by the UA College of Arts and Sciences.

Lynge’s students have experienced significant individual success including acceptance into several of the top graduate programs in the United States, successful placement in academic and professional positions and top-three finishes in major international competitions such as the Modern Snare Drum Competition, the Great Plains International Marimba Competition and multiple Percussive Arts Society International Convention solo competitions.

“The College of Music’s commitment to developing multiskilled universal musicians closely aligns with my own philosophy in training percussionists,” he shares. “I strive to cultivate well-rounded artists who are equally comfortable across the full spectrum of the field—whether in orchestral percussion, solo performance, timpani, drum set or world percussion. At CU ��Ĵ�ý, students will continue to develop this versatility not only through the guidance of our percussion faculty, but also through regular engagement with a diverse roster of guest artists, composers and clinicians who bring a wide range of perspectives and experiences to campus each year.”

As an international percussionist, Lynge has performed and presented in countries such as Argentina, Brazil, Chile, Italy, South Korea and Thailand. He was a concerto soloist with the Dallas Winds at the 2021 Midwest International Band and Orchestra Clinic and has performed at five Percussive Arts Society International Conventions, both as a soloist and ensemble musician. Additionally, he was a featured artist at the 16th, 18th, 20th and 24th Patagonia International Percussion Festivals in General Roca, Argentina; the 2019 and 2021 World Percussion Movement in Bari, Italy; the 2019 Percussion Seminar at Universidade Estadual de Campinas in Campinas, Brazil; the 2022 JeJu International Brass and Percussion Festival in JeJu, South Korea; and the 2nd International Thailand International Percussion Festival in Bangkok, Thailand. In 2026, Dr. Lynge was invited to program and direct the Texas Music Educators Association 6A All-State Percussion Ensemble culminating in a performance at the TMEA Convention.

Lynge adds, “My wife and I couldn’t be more excited to move our family to Colorado. We have strong ties to the state, having lived there over a decade ago. Colorado has always been our first choice as a place to live, and we are incredibly grateful for the opportunity to raise our family in one of our favorite areas in the country.”

Welcome!

The College of Music is pleased to announce the hiring of Assistant Professor of Percussion and Head of Percussion Andrew Lynge beginning fall 2026. Welcome!

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Nerissa Rebagay joins College of Music faculty as assistant professor of music education

Mariefaith Lane — Thu, 02 Apr 2026 19:39:43 +0000

Nerissa Rebagay joins College of Music faculty as assistant professor of music education Mariefaith Lane Thu, 04/02/2026 - 13:39

College of Music

Our music education department is pleased to announce the hiring of Nerissa Rebagay as assistant professor of music education beginning in fall 2026, specializing in elementary and classroom music.

“I am thrilled to be joining the ��Ĵ�ý and the College of Music community,” says Rebagay, currently a doctoral fellow (ABD) in music education at the University of Miami. “I’m inspired by the joy of teaching and music itself, and by the engagement and curiosity of my students.”

Rebagay has experience teaching chorus, strings and modern band instruments to students of all abilities in Miami-Dade County Public Schools. She conducts the Young Mozarts orchestra and serves as education coordinator for the Greater Miami Youth Symphony. She also runs Miami Jam Sessions, a free music therapy socialization group and mentoring program for neurodiverse teens and young adults.

Rebagay’s research interests include neurodiversity, creativity and music teacher training. A life-long learner, she is a Kodály certified teacher and holds a Bachelor of Music in music education and music therapy from the University of Miami, and a Master of Philosophy in Arts, Creativity, Education and Culture from the University of Cambridge (UK).

Rebagay adds, “I plan to bridge educational theory with classroom practice and expand opportunities for students to thrive as both musicians and educators.”

We’re thrilled to welcome a colleague who brings such a wide range of experience, scholarly expertise and engagement with diverse populations of music makers.

Discover our music education program

The College of Music is pleased to announce the hiring of Nerissa Rebagay as assistant professor of music education beginning fall 2026, specializing in elementary and classroom music. Welcome!

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SSCI grant to examine singing at altitude

Mariefaith Lane — Mon, 23 Mar 2026 16:56:55 +0000

SSCI grant to examine singing at altitude Mariefaith Lane Mon, 03/23/2026 - 10:56

College of Music

Nicholas Perna, associate professor of voice + director of vocal pedagogy—along with students Whitney Robinson (DMA ’28) and Alice Del Simone (DMA ’26)—demonstrates how the RespTrak system measures abdominal and rib cage movement.

The CU ��Ĵ�ý College of Music is pleased to share that Associate Professor of Voice + Director of Vocal Pedagogy Nicholas Perna—and a team of collaborators including Jen Walentas Lewon (CU ��Ĵ�ý Speech, Language and Hearing Sciences), and Mona Abaza and Blair Whiteside (CU Anschutz Department of Otolaryngology)—were awarded a $10K grant from the CU ��Ĵ�ý Division of Social Sciences (SSCI).

SSCI grants support initiatives focused on equity, interdisciplinarity, student success and staff/faculty support. This newly funded collaboration is a multiyear initiative that will examine why it's difficult to adapt to singing here in Colorado, and provide best practices for singers who tour through or move to our state “to keep their voices healthy and adapt to singing at altitude with efficiency,” says Perna, who directs the college’s vocal pedagogy program.

To start, a new RespTrak system—purchased with support from Perna’s CU ��Ĵ�ý Arts & Sciences grant last year and housed in the Berton Coffin Voice Lab—will measure abdominal and rib cage movement as singers adapt respiratory strategies upon arriving at altitude over several months. The SSCI grant funds a stroboscope system housed in the CU ��Ĵ�ý Department of Speech, Language and Hearing Sciences (SHLS). “This is the first stroboscopic system on the CU ��Ĵ�ý campus,” notes Perna. “This system will allow us to take high-definition pictures and videos of the vocal folds of a singer to determine function, normality and health of vocal fold anatomy.”

The screenings will provide SLHS graduate students with supervised experience performing stroboscopic exams on singers. Participating College of Music singers will benefit from the opportunity to have a baseline stroboscopic screening upon their arrival at CU ��Ĵ�ý and near the conclusion of their first year.

Congratulations to all awardees!

An innovative, ‘multiplistic’ approach to vocal pedagogy

A newly funded interdisciplinary collaboration will examine why it’s difficult to adapt to singing here in Colorado, and provide best practices for singers who tour through or move to our state “to keep their voices healthy and adapt to singing at altitude with efficiency,” says Nicholas Perna, associate professor of voice + director of vocal pedagogy.

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An innovative, ‘multiplistic’ approach to vocal pedagogy

Mariefaith Lane — Thu, 19 Feb 2026 03:14:32 +0000

An innovative, ‘multiplistic’ approach to vocal pedagogy Mariefaith Lane Wed, 02/18/2026 - 20:14

Adam Goldstein + Sabine Kortals Stein

In August 2024, Nicholas Perna joined the College of Music faculty as associate professor of voice and director of vocal pedagogy. In describing the college’s wide-ranging approach to teaching the subtleties of the human voice, Perna draws on a unique term that bears the precision, creativity and out-of-the-box thinking he brings to his teaching style.

“I really like the word ‘multiplistic,’” says Perna, promptly conceding that it’s not liable to be found in a dictionary. “We teach across a variety of genres and styles, and we approach the singing voice from the perspective of functional voice training—not from any kind of tradition of ‘right’ or ‘wrong.’

“We view the human body as a functional system,” he adds.

This nuanced approach to developing the human voice has made Perna one of the world’s most in-demand vocal trainers, long before his arrival at CU ��Ĵ�ý. Perna’s students have found success on Broadway stages and international touring productions; and they’ve won prestigious prizes and honors including the Lotte Lenya Foundation grand prize and the Chinese Art Song International Singing Competition. Perna himself—a 2025 CU ��Ĵ�ý Arts & Humanities grantee for his “Adaptation of Singers Respiratory Plethysmography at Altitude“ project—has won praise and plaudits for his vocal work in companies like Opera Mississippi and the Santa Fe Opera.

Perna’s work at the College of Music has further advanced his innovative approach to music education, aligned with the college’s universal musician approach to achieving its mission. “One of the things we try to do here is prepare our students for the future,” explains Perna. “We believe they need to be ready to navigate in and out of as many styles and genres as possible.”

In his current role, Perna teaches voice lessons and voice pedagogy courses, and supervises graduate theses and dissertations as well as vocal pedagogy teaching assistants. He also oversees the Berton Coffin Voice Lab, named after the late CU ��Ĵ�ý professor who established the college’s first doctoral program in voice and pedagogy.

“Berton Coffin was an internationally recognized, seminal figure and author in vocal pedagogy,” notes Perna, pointing to books like “Overtones of Bel Canto” that revolutionized methods for improving vocal strength and musicality through the lens of scientific phonetics. “He was actually writing about applied acoustics and physics in the singing voice at a time when to measure any of that would’ve taken a very large computer, a very high-tech lab.”

Perna is committed to making the lab one of the premier centers for research and innovation in the country when it comes to the science and craft of vocal pedagogy. “Over the past 18 months, we’ve been able to build out a very impressive facility,” he shares. “We’ve expanded to have one of the top five voice labs embedded in a music unit in the country.

“We’re doing significant work, not just on the singing voice, but also acoustics, aerodynamics. We’re now set up to measure respiratory physiology as well. Here at altitude, it’s an especially important consideration.”

For all the serious science and academic rigor that comprise his professional pursuits, Perna is also committed to including a degree of fun into his teaching and his own study of the human voice. In 2017, he launched the weekly “VocalFri Podcast” that combines voice science, pedagogy and even dashes of sci-fi and nerd pop culture. To date, the podcast has logged over 250 hours of content featuring top vocalists, performers and teachers from around the world.

Since his arrival in ��Ĵ�ý, Perna and his fellow VocalFri creators have used the podcast to spotlight what’s happening at the College of Music; he’s involved students, explored the ins and outs of teaching voice and offered insights into the college’s priority to develop multiskilled, multifaceted universal musicians who are well-equipped for flexible career options.

“‘VocalFri’ has become the public-facing voice of CU ��Ĵ�ý vocal pedagogy,” Perna says. “It’s certainly put this program back in the national spotlight.”

Perna is always on the lookout for ways to keep the College of Music connected to the broader trends and innovations in the field. He’s currently vice president of outreach for the National Association of Teachers of Singing (NATS), the largest association for professional voice teachers in the world. He’ll begin his term as the organization’s president-elect in July.

“NATS has been so much of my professional life,” reflects Perna. “I’ve served at every level of NATS that there is.

“The most important thing with NATS is the networking—it’s a vast international network of singing teachers that has given me my professional colleagues and mentors.”

All these perspectives have culminated in an approach to vocal pedagogy that’s turned out world-renowned artists—and one that is evolving voice education at the College of Music to new heights.

Discover the Berton Coffin Voice Lab

Associate Professor of Voice + Director of Vocal Pedagogy Nicholas Perna is committed to making the Berton Coffin Voice Lab one of the premier centers for research and innovation in the country, emphasizing the science and craft of vocal pedagogy.

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CU ��Ĵ�ý’s Nathan Mertens awarded NEA GAP grant

Mariefaith Lane — Wed, 18 Feb 2026 00:52:24 +0000

CU ��Ĵ�ý’s Nathan Mertens awarded NEA GAP grant Mariefaith Lane Tue, 02/17/2026 - 17:52

College of Music

The ��Ĵ�ý College of Music is proud to announce that Assistant Professor of Saxophone Nathan Mertens has been awarded a National Endowment for the Arts (NEA) Grants for Arts Projects (GAP) grant valued at more than $35K. This is the College of Music’s first NEA GAP grant representing an important step forward for CU ��Ĵ�ý in national arts funding.

The funded initiative—“American Saxophone Concertos New Voices and Visions”—is part of the NEA’s Celebrating America’s 250th Anniversary highlighting American composition and performance. The project centers on the professional recording of four saxophone concertos by living American composers, culminating in a commercial CD release.

A newly commissioned concerto by Anthony R. Green sits at the heart of the project. Written for Mertens—to be premiered with the CU ��Ĵ�ý Wind Symphony in fall 2026—this work is funded by the Bixler Family Foundation and a CU ��Ĵ�ý Research & Innovation Office Arts & Humanities Grant. In addition to Green’s concerto, Mertens will record another concerto with the Wind Symphony conducted by the College of Music’s Director of Bands Shanti Simon; as well as two concertos with the CU ��Ĵ�ý Symphony Orchestra under our Director of Orchestral Studies Gary Lewis (details forthcoming). All recordings will be engineered by the college’s Kevin Harbison.

“This is an exciting and important milestone for our college, in keeping with our universal musician approach to achieving our mission,” says John Davis, Dean of the College of Music. “Nathan’s work supports American composition at the highest level and offers many of our students access to a significant creative project from development to recording.” Students will work directly with composers in rehearsals and recording sessions and appear on the final album, earning a rare professional credit while still in training. Through collaboration with visiting composers and participation in professional sessions, the project prepares them for real-world performance and artistic collaboration.

“I am thankful to the College of Music and the ��Ĵ�ý for the support that made this possible. This was far from a solo effort and I’m very lucky to have colleagues at CU ��Ĵ�ý who turn complicated processes into something possible,” says Mertens. “I especially want to thank Donna Axel, Associate Director of Research Development at the CU ��Ĵ�ý Research & Innovation Office (RIO), for her guidance and encouragement throughout this process; and Tessa Brandt, Proposal Analyst in RIO’s Office of Contracts and Grants, for her budgetary wizardry!

“Grants are often associated with big, shiny ideas—but they really begin in the details, in offices and email threads. I’m excited to turn all these details into reality … and some fun!”

Congratulations!

Recording sessions will take place throughout 2026 and 2027 in CU ��Ĵ�ý’s Macky Auditorium.

Meet Nathan Mertens—NEA GAP grant recipient

Assistant Professor of Saxophone Nathan Mertens was awarded a National Endowment for the Arts (NEA) Grants for Arts Projects (GAP) grant! This is the College of Music’s first NEA GAP award representing an important milestone for CU ��Ĵ�ý in national arts funding.

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Meet Mihai Marica, Takács Quartet cellist designate

Mariefaith Lane — Tue, 03 Feb 2026 14:00:32 +0000

Meet Mihai Marica, Takács Quartet cellist designate Mariefaith Lane Tue, 02/03/2026 - 07:00

Adam Goldstein

Mihai Marica has plenty of musical memories of the CU ��Ĵ�ý College of Music’s Takács Quartet-in-residence.

The Romanian-born cellist can easily rattle off moments he fondly associates with the internationally renowned quartet, currently in its 51st season: Obsessively listening to Takács recordings of the Beethoven cycle with fellow musicians; watching the Takács perform as part of the prestigious Cliburn Competition 20 years ago and being “completely mesmerized”; playing alongside Takács’ violist Richard O’Neill at the Lincoln Center in New York … and more.

“They’re such an honest and natural-sounding group,” Marica notes. “The musical tastes of the Takács Quartet through the eras somehow align with what I like musically, too.”

Starting this fall, Marica will have many opportunities to create more memories with the critically acclaimed group called “the essential quartet of our time” by The New York Times; that’s when Marica succeeds cellist András Fejér—the last remaining member of the original Takács Quartet, who will retire at the end of the current season. Leading up to the transition, Marica will join the quartet for its final ��Ĵ�ý performance this season in Franz Schubert’s String Quintet in C Major, D. 956; on Sept. 1, he’ll step into his role as a full-fledged member, signing on for a season that includes high-profile performances in ��Ĵ�ý and worldwide.

For Marica, his new position is the latest in a long string of prestigious musical roles. He started studying cello at the age of 7 in his hometown Cluj/Koloszvar, Romania, with Gabriela Todor and later Mihaly Guttman, who taught chamber music. “The school of cello playing that I was brought up in was a mix between the old Soviet school and the Hungarian school,” he says. “We were kind of right in the middle of those huge entities.”

From these roots, Marica became a chamber music luminary with a global reach: After studying at Yale University with Aldo Parisot, he went on to collaborate with orchestras and ensembles globally—from Chile to Mexico and from Switzerland to Russia. An alumnus of the Chamber Music Society of Lincoln Center’s Bowers Program, Marica has kept up a presence in that program and on that stage, and he’s called New York home for the past 15 years.

Moving to ��Ĵ�ý will be just one of many big shifts to come as part of joining the Takács Quartet, but Marica never hesitated in saying ‘yes’ to the invitation. “I still can’t believe my luck, that I was given this opportunity,” Marica says. “When I think about it, it’s a bit like the moment when Mr. Parisot said, ‘Why don’t you come and study with me at Yale?,’” Marica adds, referencing another seminal point in his career, “It’s life-changing.”

The Takács Quartet’s 2026-27 season will include works by Gabriela Lena Frank as well as more selections by Schubert, Carlos Simon, Johannes Brahms and Joseph Haydn. Beyond ��Ĵ�ý, the quartet will also bring its signature musical style to Carnegie Hall and embark on a North American tour with pianist Jeremy Denk.

While the composers, concerts and touring aren’t new for Marica, the chance to play with such an iconic ensemble feels novel. Stepping in for Fejér, whom Marica cites as a “model,” will carry its own significance; and aligning with the Takács’ dynamic approach onstage stands as a specific responsibility. “My ambition is to match their energy,” Marica says. “They’ve always blown me away on stage—they’re so direct in their music making, all qualities that I’m aiming to keep in the group dynamic.”

This fall, Romanian-born cellist Mihai Marica joins our internationally renowned Takács Quartet-in-residence. Get to know this accomplished artist!

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2026 Wind Band Conducting Symposium welcomes the return of founder Allan McMurray

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